Copyright 1998/1999/2000 Christopher M.
Perez/Kerry L. Thalmann/Mike McDonald - All Rights Reserved
|
Copyright 2002/2003/2004 Christopher M. Perez - All Rights Reserved |
Last Updated: 19 April 2004 - latest additions in RED |
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Please note: there are four sections found on this page.
Each section represents a particular camera type. There are
sections for SLRs, TLRs, Coupled Rangefinder Cameras,
and Folding Cameras (with coupled and non-coupled rangefinders).
Single Lens Reflex (SLR)
Camera | Model | Lens | cnt mdl edg (l/mm) f/stp | Comments |
Bronica | SQA | 80mm f/2.8 Zenzanon-PS | 67 53 53 f/2.8 67 67 60 f/4 60 67 60 f/5.6 60 60 60 f/8 60 67 60 f/11 53 53 53 f/16 53 53 53 f/22 |
very heavy |
Bronica | SQA | 40mm f/4 Zenzanon-PS | 60 50 50 f/4 60 52 60 f/5.6 52 52 66 f/8 52 60 66 f/11 60 60 60 f/16 60 54 54 f/22 |
Big and Beautiful |
Bronica | SQA | 200mm f/4.5 Zenzanon-PS | 46 33 33 f/4.5 47 33 33 f/5.6 33 42 27 f/8 42 47 42 f/11 24 26 24 f/16 26 33 26 f/22 |
Big - take special care for stability |
Hasselblad | 903 SWC | 38mm f/4.5 Biogon T* | 68
76 54 f/4.5 96 96 60 f/5.6 85 106 76 f/8 68 76 68 f/11 60 60 60 f/16 |
Great optics! |
Hasselblad | 500CM (late 1980's) | 80mm f/2.8 Planar CT* | 68
68 38 f/2.8 60 60 34 f/4 96 96 54 f/5.6 96 107 60 f/8 85 76 60 f/11 68 68 60 f/16 54 48 48 f/22 |
Great optics! |
Hasselblad | 500CM (late 1980's) | 120mm f/5.6 Planar-S C (early) | 85
85 48 f/5.6 85 85 54 f/8 76 76 60 f/11 76 68 68 f/16 54 54 54 f/22 |
Nice, if not a little old, optics. |
Hasselblad | 500CM (late 1980's) | 150mm f/4 Sonnar CT* | 60
60 48 f/4 76 68 54 f/5.6 85 85 76 f/8 85 85 68 f/11 68 60 60 f/16 60 60 54 f/22 42 38 38 f/32 |
Nice optics. |
Mamiya | RZ | 65mm
f/4 L-A (floating element) |
76
76 68 f/4 76 68 68 f/5.6 96 85 76 f/8 96 96 68 f/11 68 76 60 f/16 |
Big and Beautiful and very sharp |
Mamiya |
RZ |
110mm
f/2.8 Z |
68 60
60 f/2.8 60 68 68 f/4 76 85 68 f/5.6 76 76 68 f/8 76 68 76 f/11 68 68 68 f/16 54 54 54 f/22 |
I
was hoping that Mamiya's brochure was right and that these optics were
"ultra high performance". Oh well, the Hasselblad still wins the
day... but you certainly can't tell from looking at the final prints! |
Mamiya | RZ | 180mm f/4.5 W-N | 54
54 42 f/4.5 60 68 60 f/5.6 54 54 60 f/8 54 60 60 f/11 60 68 60 f/16 |
|
Pentax | 67 - Mirror Lock Up | 45mm f/4 | 66 60 36 f/4 66 66 42 f/5.6 76 66 54 f/8 76 66 54 f/11 66 66 54 f/16 54 48 48 f/22 |
Big and Beautiful |
Pentax | 67 - Mirror Lock Up | 105mm f/2.4 | 54 34 19 f/2.4 60 42 19 f/4 76 67 21 f/5.6 67 67 33 f/8 67 67 48 f/11 60 60 60 f/16 48 48 42 f/22 |
Big and Heavy |
Coupled Rangefinder (non-folding)
Camera | Model | Lens | cnt mdl edg (l/mm) f/stp | Weight |
Fuji | GW690III | 90mm f/3.5 Fujinon | 60 53 47 f/3.5 60 53 47 f/4 67 67 47 f5.6 67 60 53 f/8 60 67 47 f/11 53 60 60 f/16 53 47 60 f/22 47 47 47 f/32 |
1460 grams |
Mamiya | 7 | 50mm f/4.5 | 68 76 68 f/4.5 107 96 42 f5.6 107 107 48 f/8 96 96 68 f/11 85 85 68 f/16 54 54 60 f/22 |
. |
Mamiya | 7 | 80mm f/4 | 120 120 60 f/4 120 120 68 f5.6 120 107 68 f/8 107 107 76 f/11 76 76 68 f/16 60 60 60 f/22 |
1210 grams |
Mamiya | 6 MF | 75mm f/3.5 | 76 76 53 f/3.5 76 67 53 f/4 95 76 53 f5.6 95 85 53 f/8 85 85 60 f/11 76 67 67 f/16 60 60 53 f/22 |
1150 grams |
Plaubel | Makina 67 | 80mm f/2.8 Nikkor | 54 48 60 f/2.8 60 60 60 f/4 48 60 67 f5.6 48 60 76 f/8 60 67 67 f/11 76 67 67 f/16 67 67 67 f/22 Focused approx 5 inches 'closer' (acording to scale) at 61 inch distance from target- 67 48 48 f/2.8 76 54 48 f/4 67 60 60 f5.6 85 76 67 f/8 85 76 67 f/11 85 67 60 f/16 60 60 60 f/22 Focused approx 6 inches 'farther' (acording to scale) at 61 inch distance from target- 19 19 19 f/2.8 24 19 24 f/4 17 19 24 f5.6 21 27 42 f/8 30 36 54 f/11 54 60 67 f/16 |
? |
Twin Lens Reflex (TLR)
Camera | Model | Lens | cnt mdl edg (l/mm) f/stp | Weight |
Mamiya | C220 Pro | 80mm f/2.8 | 48 24 33 f/2.8 60 48 42 f/4 67 60 48 f/5.6 60 67 60 f/8 67 67 60 f/11 67 60 54 f/16 54 54 48 f/22 42 38 38 f/32 |
3 pounds |
Mamiya | C220 Pro | 55mm f4.5 | 34
42 21 f/4.5 42 38 21 f/5.6 48 48 21 f/8 60 48 24 f/11 48 48 27 f/16 |
. |
Mamiya | C220 Pro | 135mm f4.5 | 42
30 21 f/4.5 48 42 34 f/5.6 60 54 34 f/8 60 54 34 f/11 54 54 38 f/16 48 48 38 f/22 34 28 24 f/32 |
. |
Mamiya | C220 Pro | 180mm f4.5 | 38
38 24 f/4.5 42 42 24 f/5.6 54 54 24 f/8 54 54 38 f/11 54 48 38 f/16 38 38 30 f/22 32 30 30 f/32 |
. |
Rolleiflex | 2.8E
Model 1 US (serial #1,62x,xxx) |
80mm f/2.8 Schneider Xenotar | 54 30 13 f/2.8 107 96 13 f/4 120 68 17 f/5.6 107 96 27 f/8 85 68 48 f/11 76 76 54 f/16 54 54 48 f/22 |
1280grams - without meter |
Rolleiflex | 2.8E Model 1 US (serial #1,66x,xxx) |
80mm f/2.8 Zeiss Planar | 68 68 42 f/2.8 76 96 68 f/4 68 76 68 f/5.6 96 96 76 f/8 96 85 68 f/11 68 76 60 f/16 54 60 48 f/22 |
1200grams - without meter |
Rolleiflex | 3.5E Model 1 US (serial #1,7xx,xxx) |
75mm f/3.5 Schneider Xenotar | 48 48 24 f/3.5 85 96 42 f/5.6 96 96 68 f/8 76 85 60 f/11 68 68 54 f/16 54 54 42 f/22 |
1120grams - with meter |
Rolleiflex
|
3.5F
Model 3 US (serial #2,29x,xxx) |
75mm f/3.5 Zeiss Planar | 76 85 48 f/3.5 96 85 60 f/5.6 85 85 60 f/8 76 68 60 f/11 60 68 54 f/16 60 54 48 f/22 |
1120grams - with meter |
Rolleiflex | 3.5F (serial #2,2xx,xxx) |
75mm f/3.5 Schneider Xenotar | 42
38 34 f/3.5 60 60 34 f/4 67 67 34 f/5.6 76 60 60 f/8 67 67 60 f/11 60 54 42 f/16 54 54 38 f/22 |
1120grams - with meter |
Rolleiflex | 3.5T (serial #2,199,xxx) |
75mm f/3.5 Zeiss Tessar | 54 68 21 f/3.5 68 68 27 f/5.6 68 68 42 f/8 68 60 68 f/11 60 60 48 f/16 48 48 42 f/22 |
1000 grams (approx) |
Rolleiflex ***(please see note) |
Rolleiflex | 75mm f/3.5 Schndeider Xenar |
31 56 39 f/3.5 22 22 31 f/4 35 39 63 f/5.6 35 35 70 f/8 22 35 70 f/11 39 50 70 f/16 50 50 50 f/22 |
1100 grams (approx) - This camera must have been out of alignment. There is no way the Xenar can be this much worse than the other three Rolleis I tested. |
Yashica | Yashicamat | 80mm f/3.5 Yashnon | 67 60 53 f/3.5 42 67 53 f/4 53 60 53 f/5.6 38 76 60 f/8 38 67 67 f/11 53 60 60 f/16 47 47 47 f/22 |
? |
Koni-Omega RF system
Focal Length | Lens type | cnt mdl edg (l/mm) f/stp |
58mm f/5.6 | Hexanon serial number 7210xxx | 42 48 42 f/5.6 54 60 42 f/8 76 76 67 f/11 67 67 60 f/16 60 60 54 f/22 48 48 42 f/32 |
58mm f/5.6 | Wide Omegon serial number 501xxx | 67 67 54 f/5.6 67 67 54 f/8 67 76 54 f/11 67 67 60 f/16 54 60 54 f/22 42 42 32 f/32 |
58mm f/5.6 | Hexanon serial number 721x7xx | 67 60 30 f/5.6 67 76 30 f/8 67 76 54 f/11 76 67 60 f/16 67 67 60 f/22 |
90mm f/3.5 | Hexanon serial number 37xx71 | 60 60 19 f/3.5 67 76 24 f/4 76 67 24 f/5.6 85 95 33 f/8 85 95 38 f/11 76 76 48 f/16 67 60 54 f/22 48 42 38 f/32 |
90mm f/3.5 | Hexanon serial number 37xx68 | 60 60 38 f/3.5 54 60 38 f/4 67 67 38 f/5.6 67 67 42 f/8 67 76 48 f/11 76 76 60 f/16 67 60 54 f/22 48 48 42 f/32 |
135mm f/3.5 | Hexanon serial number 513xxxx | 54 54 42 f/3.5 54 48 48 f/4 33 33 60 f/5.6 76 76 76 f/8 76 76 67 f/11 67 67 67 f/16 54 54 54 f/22 42 48 42 f/32 |
180mm f/4.5 | Tele Omegon serial number 901xxx | 48 54 30 f/4.5 54 60 34 f/5.6 67 54 42 f/8 67 67 48 f/11 67 60 48 f/16 60 54 42 f/22 |
Folding Camera
Camera | Make | Shutter | Lens | cnt mdl edg (l/mm) f/stp | Weight |
Balda | Enna Werk Munchen | Prontor-SV B, 1 - 1/300 | Ennagon 7.5cm f3.5 | 33 30 30 f/3.5 48 42 42 f/4 42 30 34 f5.6 34 30 38 f/8 42 30 42 f/11 53 53 48 f/16 60 43 48 f/22 |
505 grams |
Kodak | Special Six20 | Compur-Raplid | 100mm f/4.5 Kodak Anastigmat |
21 19 15 f/4.5 at
approx 7' 19 17 17 f/5.6 12 19 19 f/8 14 19 19 f/11 19 24 33 f/16 24 33 43 f/22 42 42 38 f/32 Re-tested at 12 feet: 57 50 36 f/11 at 12' on scale 40 63 45 f/11 at 13' on scale 63 57 31 f/11 at 11' on scale 57 63 36 f/16 at 12' on scale 63 57 50 f/22 at 12' on scale |
Less than 800 grams |
Muscova | Zeiss Super Ikonta C | ? | 11cm f/4.5 | 16 16 16 f/4.5 19 16 16 f/5.6 13 13 19 f/8 13 12 17 f/11 17 17 19 f/16 26 24 19 f/22 48 38 38 f/32 |
Less than 900 grams |
Graflex Corp. | Pacemaker Crown Graphic- RH8/120 rollfilm back (ie: film 'bows' in the middle and needs be compensated for) | Supermatic 800 | 101mm f/4.5 Ektar | 17 19 19 f/4.5 54 76 30 f/5.6 76 76 53 f/8 76 85 60 f/11 85 76 60 f/16 67 67 67 f/22 |
System weight is heavier than other folding cameras, but much less than a TLR or SLR |
Graflex Corp. | Pacemaker Crown Graphic - RH8/120 rollfilm back (ie: film 'bows' in the middle and needs be compensated for) | Rapax | 3 1/2"(90mm) Wollensak Wide Angle Raptar | 15 30 42 f/6.8 17 15 60 f/8 26 54 67 f/11 54 54 60 f/16 42 54 42 f/22 |
. |
Graflex Corp. | Pacemaker Crown Graphic - RH8/120 rollfilm back (ie: film 'bows' in the middle and needs be compensated for) | Linhof-Compur | Schneider 65mm Angulon f/6.8 | 19 24 48 f/6.8 34 42 48 f/11 34 54 60 f/16 60 60 42 f/22 |
. |
Voigtlander | Perkeo I | Pronto B, 1/25 - 1/200 | Vaskar 75mm f/4.5 | 13 24 24 f/4.5 13 24 21 f/5.6 19 30 30 f/8 33 42 42 f/11 38 42 38 f/16 |
515 grams |
Notes:
***It appears that the Rollei lens may be quite fantastic. Just look at the edge numbers! But the lack of accurate top lens calibration (happened sometime after leaving the factory) is enough to cause serious sharpness issues. The Mamiya C220 or Yashica didn't have this problem...Test Conditions-1. It appears that film flatness is a serious issue with some medium format cameras. It may be that 120 film "bows" in the middle of the pressure plate for some of the cameras tested. It shows up most frequently when shooting 6x9 (2 1/4 x 3 1/4) format cameras and film backs and earlier Rolleis.
2. Many camera lenses were tested at 20:1 distance to focal length ratio. Those that weren't are noted in the above table. For 75mm/80mm lenses this works out to 5 feet from the test target or 50 to 61 inches. For 100/105mm lenses this works out to 7 feet from the target.
3. For folding cameras the target proximity required that the distance be calculated using a tape measure and the lens being tested was set to that distance on it's scale. If the distance scale on the lens is mis-calibrated then the lenses optimum resolution would be compromised in these tests. In many cases this 'reality' is borne out in the test results. In 'three space' many of these systems will perform better than shooting against a 2D target would suggest. Percentage Calculator
- All tests were made using Kodak's TMax100 film, processed in D-76 to my system's requirements (zone system), and viewed under 40x magnification.
- All cameras that supply direct focusing were tested as a system using the focus provided by the direct mechanism. In the case of the Muscova this is a rangefinder (which may not be accurate as the system tested poorly at 7 feet). In the case of all TLRs and SLRs the focus was set using the std. groundglass.